Posted on | January 24, 2016 | Add Comments
See Films from Around the World at the Providence Children’s Film Festival
The Providence Children’s Film Festival is back for its seventh year, with an out-of-this-world lineup of films, workshops, and Q&As. The fest takes place from February 6-21, coinciding during school break, and showcases movies that not only kids but the whole family will enjoy. At the Festival, there are live-action, animated, documentary, short, and feature films from all around the world. This Festival doesn’t show familiar Hollywood kids fare, but more challenging, exciting, entertaining films. This year’s line-up includes documentaries about boxing and body-image, the story of an orchestra made from trash, a Buster Keaton classic, a Dutch sci-fi adventure, and so much more.
One particular highlight from this year is The Year We Thought About Love, a poignant, personal documentary about a teen LGBTQ acting group from Boston. For 70 minutes, the film gives viewers a look into the lives of a group with their own unique challenges and personalities. Movies like these give us a window into other experiences only film can provide, and the Festival features many films like this. T. Rex is a standout as well, another documentary about overcoming prejudice and dealing with challenging life circumstances by doing what you love, but with a very different subject matter. The movie tracks 17 year-old Claressa “T-Rex” Shields as she boxes her way from a troubled neighborhood in Flint, Michigan to the stages of the 2012 Olympics. Until then, women’s boxing was not held at the Olympics but Shields proves she can fight as hard as anyone.
Not all the movies playing this year are tough, inspirational documentaries. T.I.M. is a fictional futuristic tale of a friendship between a boy and a robot, and an ultimate quest. The Australian Paper Planes is about a young boy who discovers he can make incredible paper airplanes. He uses his skill to get into a paper plane championship, while grieving over his mother’s death and dealing with an emotionally distant father. The Festival is also showing one film that wasn’t released in the last couple years, or even in this century. That would be The General, Buster Keaton’s 1926 comedy about trains, romance, and the Civil War. The film is often ranked as one of the greatest of all time, so don’t miss a chance to see the black-and-white classic on the silver screen.
The Providence Children’s Film Festival isn’t only about watching movies, though. The festival also has Film Talks and presentations following some movies, which give audiences a chance to hear and discuss the films. There are also workshops for kids who don’t just want to watch but make movies. Instructors teach budding filmmakers stop-motion animation, sound effects, and live action during these classes. Over the past six years, the Festival has become one of the leading children’s film festivals in the nation by bringing a diverse selection of movies to audiences in Rhode Island. Come to the Festival this February, and you’ll be entertained, educated, excited, and surrounded by other film lovers. Most of all, you’ll have a great time at the movies.
For more information about Festival schedule, venues, age guidelines, and how to buy tickets, visit the website: www.pcffri.org
Posted on | February 22, 2015 | Add Comments
The final day of the festival is finally here! That’s right, the festival has come to an end after many snowstorms and much perseverance. I began the final day with Finn which I had heard lots of good things about, prior to viewing the film. The movie follows the titular boy who discovers his family history, musical calling, and mysterious instructor. But everyone is not as they seem and the baffling past will come to be revealed by the end of this film. While it suffers from predictability, Finn is at first glance nothing but an average family drama. But as it continues on, the film becomes increasingly more and more interesting as the plot continues to unravel. Mels van der Hoeven stands out in an impressive cast as Finn whose boyish curiosity leads to conflict and…Watch the film, already!
Next up was the second Youth Filmmakers Showcase, this time the Multi-Regional edition. They ranged from zombie epics to magic gum to invisible girlfriends. While it may not have been the strongest collection of shorts the festival has showed, it was still fun to see what young filmmakers had to say. One highlight was GIFTS, a surprisingly violent murder-mystery that made you put the pieces together with little help from the filmmakers.
For the closing night screening, Belle & Sebastian was the perfect fit. I had never seen it before myself, so it was a pleasure to see something new. Sebastian, a young boy on the France/Switzerland border, meets Belle, the so-called “beast” who’s really a shaggy dog with large, cute eyes. But the story is more than cute; it’s moving, emotional, and memorable in all the right ways. Asides from some phenomenal performances from all the lead actors notably, like Finn, the young lead. The main standout, however, is the cinematography which is never better than the opening scene. As Sebastian is daringly lowered from a cliff, I clenched my seat in suspense. The breathtaking shots of the landscapes are fantastic, but it never gets better than the opening scene.
Of course, the highlight of the day had to be the awards. As predicted by both Flack and I, Song of the Sea took home the big prize that was Audience Choice. Thanks to the audience at the final screening, Belle & Sebastian scored the second spot while Finn clocked in at third. Wind, a thoroughly entertaining short, took home the award for best short and Scrap Wood War was the Jury Choice.
All in all, it was a great festival that will surely rank highly in the pantheon of past fests. From great…Wait a second, the Oscars are on! We’ll see you next year, at the movies.
Posted on | February 21, 2015 | Add Comments
After week-day library screenings of past-festival favorites, the PCFF returned to Thayer Street for the first part of it’s weekend finale. Though there weren’t films at the Avon or Metcalf venues, Wheeler’s Gilder Center screened five features and one shorts collection. The Brown Granoff Center, meanwhile, had it’s PCFF debut, showing festival films for the first time.
I started my day at Wheeler, with the PCFF-collected Elementary School-Vol. 2 shorts group. Presenting audiences with the kind of big-screen experiences (foreign films, documentaries etc.) they don’t normally get to see is one of the festival’s strengths, and short films certainly make for unique viewing. Seeing a collection of short films is always a thrill because, unlike with features, you never know exactly what you’ll find. A mix of mystery, anticipation, excitement, and possibility awaits. So does the inevitable fact that you’re bound to love some of the shorts, but not all of them. In this group, Only Gilt could’ve used a more satisfying ending. I’ve Just Had a Dream suffered from a repetitive structure and a slightly stereotypical story. Overall, though, it was a diverse and captivating selection. Chikara- The Sumo Wrestler’s Son is an almost transporting documentary that gives us a look into the gritty, grimy world of kids sumo wrestling. It’s observant and informative, even a little heartbreaking, and an absorbing look at a culture vastly different than ours. The animated Wind was lighter and funnier, but no less of an achievement. The four-minute film is a wonderfully crafted, clever, and darkly comic delight. Speaking of delights, The Revenge of Scooter was a charming piece of homemade sci-fi, with cardboard effects and tongue-in-cheek dialogue to match.
Following a hearty banh-mi sandwich from the Lotus Pepper food truck, I next visited the Granoff for the documentary On the Way to School. Directed by Pascal Plisson, the film follows four groups of children from Kenya, Patagonia, Morocco and India, as they make their perilous, tiresome, and lengthy trips to school. The film unquestionably achieves it’s central goal; I left the film with a newfound appreciation for my life and my daily journey to school (a five-minute car ride). But the doc sometimes feels more educational (and episodically structured) than one would like, while a little long in parts.
Though I can (and have) managed seeing five festival films in a day, I ended fairly early with the Party Mix shorts, curated by the New York International Children’s Film Festival. Apart from two weak shorts, it was a top-notch compilation. Interestingly, a theme emerged from the group: fantastical fables that mixed bed-time story enchantment with either wit or animated wonder. The Centipede and the Toad, The Princess, the Prince and the Greed-Eyed Dragon, and Tome of the Unknown all fit this description. Overall standouts included Portlandia: Rat’s Book, from the creators of the eponymous hipster-satire show, the brief but hilarious Carpark, and Rabbit and Deer, which used different animation techniques to alter perceptions of what an animated short can do. Oscar-nominated The Dam Keeper, with it’s sludgy pastel colors and bullying allegory story, was certainly the most poignant.
And, unfortunately, tommorrow the fest will come to a poignant end. But that end is not yet here! Check back in a day or two for our final festival report.
Posted on | February 16, 2015 | Add Comments
The festival kicked into gear today, making a swift recovery after the slight dampening of spirit thanks to the storm. Starting off the day was Okee Dokee Brothers Through the Woods: An Appalachian Adventure, a delightfully joyous romp across the 2,180 mile long trail. The two musicians/hikers are Joe and Justin, who aren’t actually brothers but instead close friends. They plan to travel the entire trail and, while doing so, immerse themselves in the history and music of the mountains. The film balances a sense of lighthearted fun along with the rich history of “mountain music”. They play songs with the people they meet along the way, intermixed with music video-esque shots of the band fooling around. With a less skilled filmmaker behind the scene, the film might have easily slipped into an overly goofy spoof. In the hands of director Jed Anderson, it’s a pleasurable romp for nature lovers and music fans alike. Two local musicians jammed with the kids in the audience to create a song similar to the one sung in the film.
The Second Volume of the Middle/High School Edition of Your Shorts are Showin’ featured six shorts. The two highlights were Monocular Man and Zomposting. Both films balance comedy with drama. Zomposting is a hilarious how-to on composting told in a joyously fun way. The subtitles for the zombie’s dialogue add the perfect tongue-in-cheek touch and it’s all tied together with sharp editing and a memorable voiceover.
Monocular Man: My Eye and Saturn V tells the story of a boy who loses his eye after a firecracker-attached-to-a-rocket doesn’t go so well. The film is done in an incredibly unique way; neon drawings are sketched from the ground up to illustrate the entire story. We can see animator Ellen Stedfeld’s hand as she sketches drawing after drawing. The voiceover adds a witty touch and the script is told from the point of view of the boy. It’s funny, it’s tragic, it’s eye-opening. After the films, Mike Bell and Rich Pederson of Zomposting and R. Jim Stahl and Ellen Stedfeld of Monocular Man stepped on stage to talk about the process behind their shorts. (The two other standouts were Be the Tortoise, an inventive take on the classic Tortoise and the Hare lesson, and In The Coat’s Pocket which at first feels like an adventure but ends up being a thoughtful allegory on domestic violence.
Wrapping up the day Flack and I premiered our own film, Amelia as part of the Regional edition of the Youth Filmmaker Show. It was great to see an audience react to our short and I also loved seeing other young filmmakers’ works. From Spanish film parodies to living sushi, jewelry robbers to philosophizing on the cultural status of fashion, there was a wide range of films on display. Fielding insightful questions during the panel after the film was also lots of fun. After working on the project for months, it was incredibly satisfying to share the story behind the film with the audience.
We look forward to the second weekend of films, but in the meantime you can watch past favorites from the festival at local libraries. I personally can’t wait for Finn and Eskil and Trinidad next weekend, both of which I haven’t seen but have heard great things about. In the meantime rest your bleary eyes up for more movie watching.
Posted on | February 15, 2015 | Add Comments
Frigid temperatures, heavy accumulation, and a parking ban didn’t stop die-hard festival fans from finding alternative means of transportation (i.e. by foot and bus). It was pretty thrilling to see Providence cinephiles show what they’re made of by braving the harsh weather. Asides from the stormy excitement, the festival managed to continue on minus a few viewers and the RISD Auditorium.
I began the day with the sci-fi flick Patema Inverted. “Woah” is an understatement. Patema, a lively young girl, finds herself in the Danger Zone where gravity is inverted and she is turned upside down…Or is she? That’s only one of the many questions Patema finds herself struggling to answer. After meeting a young boy who has more in common than first meets the eye, Patema sets off on a journey to unite both her world and the next, defying all rules of gravity. The film may at times be a bit confused in terms of pacing and tone, but it’s the awe-some science of it’s world that shines through. Unlike some science fiction films, Patema Inverted takes time in sketching out the rules and limits of it’s world in an enthralling way.
Next up was Singing in the Rain, my personal favorite of the day. For those who haven’t seen it, well, get yourself on over to the festival next Saturday to watch a seriously classic musical. The film effortlessly combines fun song and dance numbers with a subtle commentary on Hollywood show-biz. At the heart of it all is Gene Kelly whose priceless Don Lockwood is still as superb as ever. Kelly is also behind the camera, not only co-directing with Stanely Donen but also staging and directing the musical numbers. “Good Morning”, “Moses Supposes”, “Make ‘Em Laugh”, and of course the titular song are some of the most iconic musical numbers to grace the silver screen. Donald O’ Conor perfectly steals the show with his deft humor and incredible athleticism.
Following the film, Brian Jones showed off some of his stellar moves. Jones, a veteran tap-dancer, told his inspiring story beginning with childhood inspiration from his english teacher. He interspersed it with some great dancing and even brought some kids onstage to hilariously cute effect. Jones never paused to take a breath, making it obvious that he hasn’t been fooling around for the past forty-three years on stage.
Sneaking in for one more film, the Danish adventure Antboy spoofs the superhero genre to comedic effect. Young Pelle yearns of getting the girl and being the popular kid…Or at least being noticed at all. After being bit by a radioactive ant, he teams up with superhero geek Wilheim to become Antboy. The film gets by with enough tongue in cheek to keep it grounded in an original way. It’ll hit home with comics fans, kids, and adults.
Tomorrow: the Okee Dokee brothers, more jury curated shorts and…Our own short Amelia debuting! We’ll see you there.
Posted on | February 14, 2015 | Add Comments
Thursday and Friday’s PCFF screenings certainly whet the appetites of movie-lovers ready for another great fest. But the feast really began on Saturday, with eight movies spread across two venues. In describing the fest, bigger” and “better” are the most appropriate words.
While there were five films screened at RISD’s Metcalf Auditorium, I spent the day at the Avon Cinema, seeing three movies. This is the fest’s first year at the Avon, and the theatre is a more than welcome addition to the list of venues. With a colorful marque, addictive popcorn, and five-hundred comfy seats, it’s a stylishly old-school cinema. (It opened in 1938).
My first film of the day was Scrap Wood War, Marien Rogaar’s Dutch boy’s adventure tale gone haywire. As the tale begins, Ziggy and Bas are inseparable friends, but that bond starts to splinter almost immediately. First, Ziggy attracts the attention of Bas’ classmate crush, to his friend’s glaring irritation. Then Bas befriends a gang of intimidating older kids. At summer camp, kids compete to build the tallest scrap-wood towers possible. When Bas shuts out Ziggy and teams up with his new friends, things start to spiral out of control. A push-and-pull battle of menace, manipulation, and eventually violence ensues.
This is an intriguing premise, but not one you’ve never heard of (think the coming-of-age summer adventure of Stand by Me meshed with the kid-fighting of the first Hunger Games movie). Director Rogaar, however, elevates that elevator-pitch with her blend of suspense and adventure. She gives it the slow-burning dread of a horror movie, with the appropriate nighttime climax. Add in a fourth-wall breaking narrator, moody cinematography, and some surprisingly intense child performances, and you’re left with a nail-biting kid thriller. My only major gripe is with the film’s last 10 minutes. After the big confrontation scene, we’re given an unnecessary happy-ending pat-on-the-back.
While Scrap Wood War was modestly attended, lines were out the door for the next film Song of the Sea. By the time the lights went down, nearly all of the Avon’s seats were filled by excited parents, ecstatic kids, and squealing babies. For some members of the audience, this was their first big-screen experience. The film is an Irish fable, based largely on the myths of the ocean, and centers on Ben, a pouty young boy with a silent six-year old sister, a depressed father, and a pesky grandmother. He lost his mother as a toddler, just before she gave birth to her daughter Saoirse. When Ben and Saorise runs away from home to get back their dog, they are unaware of the mythical journey that awaits them. It turns out Saoirse is half-human and half-Selkie, an endangered species of seals. Three kindly, singing men send brother and sister on a quest to save the Selkies. But Ben soon finds himself forced with his saving his sister.
Song of the Sea is directed by Tomm Moore, who made PCFF’s 2010 opening night film The Secret of Kells. While both draw from Irish mythology, Kells had the kind of sweepingly epic story you might find in a dusty old book of mythology. Song is a lovely, heartfelt, though often meandering film, with a story you could imagine your grandmother telling. It’s also a work of pure artistry, of hand-drawn animation from a new master of the form. Using gorgeous colors, lots of circular shapes, and a flat yet tactile sense of depth, Moore crafts one of the most ravishing animated films I’ve seen. Nearly every image offers new visual treats for the viewer. Unfortunately, the story isn’t as engaging, and the narrative is a sleepy, slightly confused jumble. Still, the animation alone makes it a must-see and, surrounded by hundreds of rapt viewers, I was swept up by the collective joy of moviegoing. What else could a film festival ask for?
After hordes of teary-eyed viewers cleared out (the film has a three-hankie third-act), a new crowd came in for Side by Side. Director Arthur Landon’s debut feature is a sibling road-trip story with equal parts family tragedy, dry humor, and warm sentimentality. At the movie’s start, teen Lauren Buckley is living with her geeky gamer little brother Harvey and mentally-ill grandmother. Her parents died in a car crash years ago. People expect big things from Lauren: her athletic agent has big dreams for her running career, her grandmother assumes she will bind the family together, her brother believes she will make everything alright. But the morning granny is supposed to be taken to a nursing home and Lauren is going to sports-centered boarding school, Harvey runs away in search of the grandfather he never knew. Lauren follows, and an adventure begins.
This sounds like high-stakes stuff and though there are slow-motion chase sequences, Side by Side works best when it seems to be working the least. The casual spontaneity developed during Harvey and Lauren’s one-on-one scenes work better than the more theatrical stretches. Yet while Landon sometimes fumbles (there are predictable scenarios, forced tear-jerking, and a one-note villain), the movie has an amiable, honest tone. Lauren and Harvey are characters you don’t mind spending 90 minutes with, and their journey is one you won’t mind taking.
Though I didn’t see it today, I’d previewed The Boy and the World (O Menino eo Mundo). At once a ravishing visual experience and a cautious commentary on modern society, it’s a meandering animated opus that stuns, provokes, and occasionally bores. The film’s hand-drawn animation is unlike any I’ve seen before: marvelous minimalism marked by boisterous color. After five minutes, one question became clear: is there more to the film than the gorgeous animation? The style, not the substance, is what makes the film so singularly dazzling, no question. But the plot, which begins as a generic “finding a father” quest, eventually dissolves into a surprisingly deep look at commercialism, materialism, and global warming (the meaning is up to interpretation). A pleasantly catchy pop-song that the film replays until it becomes irritating may also be a comment on culture. There are stretches of this largely wordless trip that don’t demand your attention as forcefully as others, that did make me a little squirmy in my seat. But while some may see the film as a pretentious art-school muddle, I think the ambition and artistry make this is a must-see, despite the flawed storytelling. The Boy and The World puts you in a trance that sometimes falters but, at it’s best, keeps your eyes darting around the screen in utter excitement.
Tomorrow: reviews of gravity-defying sci-fi anime Patema Inverted and classic musical Singin’ in the Rain.
Posted on | February 13, 2015 | Add Comments
Sure to be the quietest day of the festival, boasting only one screening, today’s lineup included the Elementary edition of the festival’s very popular Your Shorts Are Showin’ (YSAS) compilation. If you’re not familiar with YSAS, it’s where you’ll find the shorts that the festival has juried spilt into Kindergarten, Elementary, and Middle/High School. This year, the Elementary and Middle/High School editions have been split into two Volumes in order to make room for more shorts than ever.
To kick things off, the Elementary Vol. 1 compilation was shown today. The eight short films ranged from nature beauty to animated sci-fi, children of war accounts to ADD documentary. While not all of the shorts were as amazing as the shorts shown in years past, it was still an enthralling mix. Super Girl and Saka Gibi (Fooled) followed young children yearning for excitement in the form of superpowers and turtles, respectively. While both had their moments, their lackluster visuals and clunky acting disappointed. The Looking Planet was a confused tromp through unknown universes with bizarre, blue-colored extraterrestrials.
How the Wolves Changed the Rivers featured beautifully photographed nature landscapes and wintery shots of wolves. With an educational narration, the film set a tone that was both engaging and informative. It was also the shortest of the shorts, which stood out in a compilation where the majority of the shorts could have used another cut in the editing room. In Spin Ritalin documented a young girl with ADD who takes ritalin every day. Yearning to fit in with the other kids, she tries not using the pills for one day. The film is well done and the story is certainly engaging, although it could use some more emotional flare.
In my opinion, Little Questions was undoubtedly the best. It tackled the subject of war from a fresh perspective: that of a young girl. As she asks child survivors about their experiences, director Virginia Abramovich constantly keeps us rooted in the story by grounding it with the simple, innocent thoughts of a child. The film is accessible enough for young kids that it could certainly raise some conversation, while not being violent in any way. It’s through the raw power of the survivor’s words that we get a glimpse into the horror of war in a way few other films manage to do.
Tomorrow, the festival truly kicks into gear with the RISD Museum as well as the Avon Cinema showing shorts and features all day. I’m personally looking forward to re-watching Side by Side, my personal favorite of the festival so far. Academy Award nominated Song of the Sea is shaping up to be one of the busiest, most anticipated screenings of the entire festival. Snow storms, food trucks, film talks, and more…Flack and I are looking forward to bringing you the highs and lows, surprises and winners of the festival.
Posted on | February 13, 2015 | Add Comments
Note From Flick and Flack: The PCFF runs from February 12-22. We’ll be offering daily reports with reviews of everything we see. Flack gets the ball rolling with his take on opening night. Check back tomorrow for Flick’s Friday scoop.
The Providence Children’s Film Festival kicked off it’s sixth fest yesterday with an opening night emphasizing fun. The film of the evening, Spanish kid-adventure Zip & Zap & the Marble Gang, was a big hit, with chuckling kids, smiling parents, and a generally rapt audience.
During the genial pre-screening party, attendees snacked on toast and spreads, chatting with friends and family. It was a big, warm, friendly party, undoubtedly. But the night also celebrated, championed, and displayed the best Providence has to offer: great art, great people, great places.
Oh…and the movie? Zip & Zap isn’t particularly original, nor thoughtful, but as a comic crowd-pleaser it would be hard to beat. Zip and Zap, the brothers of the title, are on the way to summer school as the film begins. But their initial irritation can’t prepare them for the uncompromising, joyless two months that await them. Sneaking by the eyepatch-wearing headmaster, his nasty henchman, and his dog, they form the “Marble Gang” with some new friends and wreak some anti-authoritarian havoc. Along the way, there’s a love-triangle, some twists, a big puzzle, and plenty of adventure.
With characters reminiscent of Harry Potter and a third-act indebted to The Goonies, the film serves up the kind of breezy adventure sure to win over young ones. It’s far from the best of the fest, but leave your cynicism at the door and you’re in for a fun ride. Perhaps there is something to be gleaned from the film’s message: playtime teaches you something too. One thing’s for sure. I left the theater hungry for more movies. For the next two weeks, there’s nowhere better to be.
Posted on | February 3, 2015 | Add Comments
The Providence Children’s Film Festival will be getting things started next Thursday. This year marks the six year of the ever-evolving gathering of film geeks, students on vacation, and local families alike. The festival will take place from February 12 to 22. With 18 feature-length films as well as 9 short film compilations, everyone is bound to find something to love in the stellar lineup. To help you navigate through the sometimes overwhelming schedule, we’ve highlighted four films we highly recommend.
Singin’ in the Rain
Why see the 63-year old musical at the Wheeler School’s Gilder Center when you can easily rent it from the comfort of your own couch? The reasons are countless. There’s the top-notch cast, led by Gene Kelly, with his infectious charm and boundless energy. There’s the story: a movie-about-movies tale from Hollywood’s uneasy transition from silent films to talkies. And then there’s the songs: “Good Morning”, “Moses Supposes”, “Make ’em Laugh”, and the title number. All showstoppers. All deserving of a screen bigger than your television. Post-film tap-dancing only seals the deal.
The Boy and the World
If the word “animation” brings to mind easily digestible, comfortably conventional, computer-generated junk-food then brace yourself for this bold and beautiful Brazilian film. Without intelligible dialogue and a clear narrative path, director Ale Abreu follows the hand-drawn quest of the titular boy as he journeys deeper and deeper into a fantastical and mysterious world bursting with colorful detours: a vibrant parade, bright nightclubs, and a train that his father travels on. The film is about much more than it’s strikingly gorgeous visuals; there are themes of commercialization, materialism, and global warming. A feast for the eyes and a buffet for the brain.
Zip & Zap and The Marble Gang
Kicking off the festival on February 12th is this Spanish language adventure starring a pair of two adventurous young brothers. After causing plenty of mischief, the boys find themselves sent a way to an austere summer school ruled with an iron fist by Falconetti, the eye-patched creep making sure no one steps out of line. In order to stand up to the cruel discipline of the headmaster, they form the Marble Gang along with three friends. What follows involves dark secrets, plenty of laughs, lots of adventure, and some serious fun. Adapted from a popular Spanish comic book, the film is 106 minutes of genuine thrills sure to please everyone.
Side by Side
My personal favorite, Side by Side is a touching film that follows Lauren and Harvey, a brother and sister living with their grandmother. When their grandmother’s illness begins to grow serious, the siblings realize they must be separated. Upset that his sister has reluctantly signed up for a reputable sports program, younger brother Harvey runs away to Scotland searching for the grandfather they’ve never met. Soon enough Lauren chases after her brother and an unforgettable adventure ensues. The entire film is grounded by two sensational performances from Bel Powley and Alfie Field as, respectively, Lauren and Harvey. The film, with it’s grounded humor and brutal honesty, is one that will be sure to stay with you long past the festival’s Awards Ceremony.
Posted on | February 12, 2014 | Add Comments